Tim Baxter wrote:Portishead's latest is difficult, at best. I'm not ready to say it sucks, yet, but it's definitely a challenging listen. That's what they wanted to do, but I haven't decided if it's difficult and worth it, or if it's just a dissonant mess.
I gave it a listen through once and didn't like it. I sum it up as an album of all tension and no release. Music needs tension and release, and 3rd just lacked the second part.
My girlfriend absolutely hated it and left the room. She said it "Reminded [her] of what a headache feels like... and why we get them." It took a lot of work to turn her onto any other Portishead after that first impression. Now she loves their early stuff.
It seemed like an experiment. Like they were exploring the line between music and noise. That doesn't make for a good listen though.
It could make for decent mood music for another work though. I could see using selections for a soundtrack or something. I'm planning to run a modern SF/Horror RPG for some friends, and might use it for that. But that's because I don't want music people listen to actively. I just want something that will back up the horrific vibe I want to create.
I almost got their live album, but decided against it because of "Roads". The audience trying to clap along just ruined it for me.
