wheelsmithy (Joe-with-an-L) said:
I have an opinion on Fury Road:
It is a strong feminine statement. For all Immortan Joe's posturing, and the War Boys (effectively, all his countless semen), they are impotent without the female. Furiosa and the wives represent this. They are the most precious resource, because without them, there is no future. This is why they are coveted by Joe. Look at his other progeny-a malformed, unhealthy Corpus Colossus, and a dimwitted Rictus Erectus. Joe has two of everything, but cannot prove himself as a man until he has a viable heir-hence the beautiful and virtuous wives. Furiosa steals what is most important to him. Challenging him in a uniquely strong, feminine way. I think it is brilliant.
Hence the significance of the line, "I had a baby brother, and he was perfect in every way!" They birthed the first progency born into the post-apocalypse that was not deformed and dying. There was hope for the future. But Joe's covetousness killed the child.
Even as Immortan Joe holds himself above everyone else, he still swerves and wrecks his car in hopes of avoiding running over his Wife - risking his life and the lives of everyone else aboard. He knows she is more important than any of them. But it's not enough.
And as much as it is a brilliant feminist piece, it delves into themes so deeply that it actually repudiates certain ideas that dominate contemporary feminist narrative. The story/moral is not "Women good. Men bad. Smash the partriarchy." We see that the men involved in the story are as objectified (arguably even moreso) than the women. We see how cruel and heartless this is to them. Max is literally strapped to the front of a car as a living blood bank.
But the full treatment of the Warboys is further telling. They are brainwashed into being child soldiers and treated as dispossable by the few men in power. Their greatest honor is to die... pointlessly.
Nux gives us a close-up view of the cost of this. He shows us the tumors growing on him and calls them his friends. These are his friends. Not the other Warboys. Not Joe. The tumors that are killing him. When he shows that to one of the wives, she treats him with care and sympathy, and it's something foreign to him.
Max is an uber-masculine character who's a badass survivor... but he is psychologically crippled. Our titular male hero has his scars on the inside and does not show them. His journey is about rediscovering his own humanity.
Hollywood Oscar-Bait plays lip service to these sorts of themes that a car chase movie tackles in a full, honest, nuanced, multi-faceted manner.