petegossett wrote:
Be prepared for hecklers, and have a plan for dealing with them.
Honestly, if you're worrying about this, you're worrying about the wrong stuff. You need to focus more on recognizing what's working and what isn't, and that can be tough when you're starting out.
The key is to find a GOOD open mic night. One that you can attend regularly, with a good mix of regular comics and first timers. And a good open-mic audience. And, yes, such a thing exists. In larger cities, where there's a legitimate comedy "scene," some open mic audiences can be very generous and patient. They're comedy nerds, who are there to hear different styles and perspectives, not to bust someone's balls on stage. Avoid those places like the plague. They're lousy places to learn the craft, and they reward bad habits.
One of the things I tell our news is to concentrate more on being compelling than being funny. An audience will be very generous and patient with you if you're honest, compelling, and act like you belong there. NOTHING will turn an audience against you like losing your confidence. You can go on stage with the most substandard material you've got, but if you present it honestly, and in a compelling manner and with confidence, 90% of the time the audience will accompany you on your journey—for while, anyway.
You also need to spend time developing your character and stage persona. Think of standup as an acting pursuit—because that's what it is. It's an in-character monologue with its own unique narrative flow.
Standup can be very rewarding and VERY frustrating. I've seen both sides. Luckily right now I'm fortunate to be in a great situation with a fantastic audience and a fantastic group of regular performers. We started out with a quarterly open mic, then went monthly, now we're adding weekend shows for 4-5 of us with "feature" quality skills.
If you're interested, definitely give it a try, but understand you'll have to plow through some low spots for a while while you develop your skills.
Also, I'll throw in a good word for improv. If you have a good improv theater nearby, they probably offer classes. You'll learn skills there that will help you every time you set foot on a stage for whatever reason. It's like the theater equivalent of autocross.
jg