Tommy's Star Wars comparison is interesting. As we were leaving the theater, I noticed a family, with a kid about 7 or 8 years old—the same age I was when I saw the original Star Wars (okay, A New Hope for you purists).
It made me a little jealous that THIS would forever be his paradigm. This movie would set the bar for him, and everything he sees after it will be compared to it. I envy that kid. I imagine him walking out of a theater (or neural-holotainment complex) at 40, after having seen the latest technological blockbuster, seeing a seven year old kid and thinking "Heh, back in my day all we had was Avatar. We didn't need to plug a fiber optic cable into the port at the base of our brain that gave us a three hour long halucination induced orgasm."
But that's a bit of an aside.
Okay, you can nitpick this movie to death if you want. The story is derivative: We've seen endless variations on the "Guy infiltrates an indiginous people with nefarious intent only to learn the true meaning of love from the 'simple' natives." Heck, even Webster was a variation of this. So it's not an "original" story as such. Michelle Rodriguez plays, well... Michelle Rodriguez. And "Unobtanium?" Come on guys.
But Cameron was not trying to tell an original story. He was trying to tell an old story in an original way. He was trying to tell a story with absolutely no limitations on the way he presented his information to the audience.
I disagree that it was "blatantly overdone" or that the CG was distracting. Because i think what Cameron has done here is not to use CG to create "special" effects, but to use the technology that he developed to create an entirely new canvas for his artists to paint on.
We saw glimpses of this with Gollum, where a digital character is brought to life by a stellar real life, motion captured performance. I see this movie as the next evolution of that line of thinking, where the digital characters are brought to life by actors who are not simply being motion captured, but almost wearing these characters as so much digital makeup. In that way, one of the themes of the movie itself—humans occupying and controlling alien bodies— becomes a metaphor for the production itself.
There are folks who will claim that motion capture makes the actor less important in the process, but I completely disagree. It's simply a new skill set that modern actors will have to adapt to,and you can see excellent examples in this movie of actors that were more comfortable with it than others. Zoe Saldana's performance was amazing. she brought a specific physicality to her performance that made her character seem somehow more "real" than the others at times. The way she moved just seemed to give credence to that world.
I also like that Cameron waited until he was completely ready to make this film—either because he or someone else had finally created the technology necessary to put what he had in his head on film. I like that there's a guy in the movie industry with enough juice to do absolutely whatever he wants, and enough brains and resources to make whatever he wants push the envelope of the medium so much. In a lot of ways, this is like the world's biggest indie film. What studio is going to have the balls to tell James Cameron he has to compromise on something? Exactly. None. They simply write the check, and let Jim make exactly the movie he wants to make.
And I would certainly see it in 3D. It's about the most "seamless" application of the technology I've ever seen. I think it adds to the production,and doesn't exist as a gimmick.
jg